Social System in Gabriel Marquez’s Chronicle of a Death Foretold and Al

Social System in Gabriel Marquezs story of a Death Foretold and Albert Camuss The anticLike father, homogeneous son the old saying goes. And naturally this is so, for if the parent lacks morals, logically the tiddler will too. Just as parents shape their children, laterality figures shape their societies. license figures have great impact on the common people, for if they act in dishonest or fraudulent manners, the society considers it acceptable to do the same. much(prenominal) animadversions between function figures and society are seen by means ofout Gabriel Marquezs Chronicle of a Death Foretold and Albert Camuss The Stranger. With societies constantly looking to authority figures for guidance, Marquez and Camus satirically depict folly in the actions of the leaders in give to criticise the social system and reveal the accepted selfishness that is reflected by the people. In put together to completely understand the manner in which authority figures actions become reflected on society, a reader must observe the social system through the eyes of the narrator. Marquez begins Chronicle of A Death Foretold by establishing the town to attend very sacred. The novel commences with the townspeople thoroughly preparing for the yearly arrival of the bishop. The in all town arranges for his arrival, bringing him many gifts and animals. Although Marquez establishes the city as consumed in religious dedication, a reader must analyze the thoughts of the townspeople in order to truly understand the society. The individuals of the community make elaborate preparations, not to submit their spiritual devotion, but to benefit their personal selves. Each person concerns themselves with receiving a blessing from the bishop. The people seem to be... ...ngs in order to expunge their sins, The Stranger also presents faith as a means to obliterate sins. In both systems, people rely on religion in insincere manners. Instead of desiring a spiritual pea ce, the people have been taught by authority figures, like the magistrate, to use religion in self-interest. Overall, Marquez and Camus break the spiritual, rational, and impartial facades of the authority figures by exposing the idea that since the leaders of the society were unable to provide a moral structure for their citizens, an accepted form of selfishness unfolded within the societies. The social systems in both novels act as the shadow of the bishop and the magistrate. Like a shadow, the societies company in the leaders footsteps, for the society lives as a dark reflection of the authority figures who promote selfishness and false public images.